In 1994 Goldin and Araki decided to collaborate on a project about adolescents in Tokyo. They set out to capture the joys, thrills, and anxieties of youth. The two photographers, each of them in their very own way obsessed by love and eroticism, complemented one another perfectly. Together, they forged a panoramic vision of love and sexuality in all its varieties. Nobuyoshi Araki took pictures of young girls in his studio capturing both their budding awareness of the female body and its seductiveness and, on the other hand, their insecurity and anxiety. His portraits precisely pinpoint the frightening and exhilarating transition from girl to woman. Nan Goldin explored Tokyo's queer underground-gay boys, transvestites, fetishists, and all those who defy society's preordained definitions of sexuality. She celebrates their courage and beauty, their fight for their right to love. Araki and Goldin rejoice in the exalted erotic perplexities of adolescence, its pleasures, hopes, and despair. ________Scalo