Kathleen Seltzer's photographs read like unattainable high-end ads. In poster format, possibly they were originally intended to be signage randomly whitewashed to some outdoor wall. “...There is no irony in Seltzer's photographs, no campy or kitschy take—no criticism of any sort. These rich works are bankrupt. At first they enrage, then appear ridiculous.”_____Hal Foster, Artforum, Dec. 1980