Artists: Giovanni Anselmo; Robert Barry, Joseph Beuys, Stanley Brouwn, Daniel Buren, Victor Burgin, Jan Dibbets, Braco Dimitrijeviec, Barry Flanagan, Grupa/E Kod, Grupa OHO, Douglas Huebler, Alain Kirili, Jannis Kounellis, David Lemelas, John Latham, Sol LeWitt, Goran Trbuljak, Lawrence Weiner, Ian Wilson.

The exhibition At Another Moment was conceptualized as curatorial translation of the temporary exhibition At the Moment, organized in the entrance of an apartment house in Frankopanska 2A, Zagreb, into a more “permanent” exhibition, taking place within the (alternative) institutional space of the Student Cultural Center (SKC) in Belgrade. Ivana Bago describes the background of original exhibition in Zagreb as “the result of Braco and Nena’s travels across Europe where they became acquainted with the burgeoning new art scene. The process of organization involved sending letters of invitation to the participants. Whatever was mailed back to the organizers by those who had responded to the invitation was then exhibited. […] The exhibition included the participation of some of the best known figures of Conceptual art.” 

Nena Dimitrijević also reflects on the process of production of the original exhibition in her introductory text for the catalogue, published by the SKC gallery in conjunction with At Another Moment. She emphasizes the process of communication and the exchange of ideas as the main substance of the exhibition project that results in “public moment”—three hours of presentation/display in the contingently selected entrance hall of a residential house. Dimitrijević comments on the exhibition context and choice of space where the artworks were shown: “To exhibit in a noninstitutional space, almost in the street, fundamentally follows the idea of this avant-garde creation and results from the consequently conveyed thesis of the democratization of art, since, apart from the permanent gallery public, it gives the opportunity to a casual passer-by and man for whom exhibition visiting isn’t programmed in his free time, to see the show. The hall-gate of Frankopanska 2a was chosen at random and it can just as well be suddenly abandoned and the whole happening can be transferred to another place. If one insists on a location, then it becomes an institution like any other gallery with a fixed programme, (catering for) its reputation and permanent public. It wasn’t our intention. The point is that out of an almost street space, we wanted to make a center of interest and information—but not to establish it.”________Excerpt from Jelena Vesić, At Another Moment – The First International exhibition of Conceptual Art in SKC – Belgrade, Chronologies.

Condition: soiling and foxing to cover and edges, worn edges, acetate title page is loose from binding, page with photos of the exhibition has small area with a bit of paper stuck to it + small area of paper loss.